Standard English (Section 5) Assignments
- Instructor
- Yvonne Janik
- Term
- 2013-2014
- Department
- 8th Grade
- Description
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Please refer to the document I gave you the first day of school for a course description.
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POEMS and revision
Poems need titles; do NOT put quotation marks around your title; your poem is not published/ spacing and title
Poems need tension—doesn’t have to be resolved at end but usually is to some degree
Shift? All poems don’t have a shift, but many do; this needs to be very effective if used.
Stanzas and number of lines and why
Purposeful punctuation or lack thereof
Specific nouns—not vague
Unique, action verbs—not state of being
EVERY word needs to be selected carefully (consider connotation/denotation of your words)/SHOULD NOT RHYME
Sentence beginnings and punctuation (use of gerund phrases, participial phrases, and infinitive phrases (VERBALS) as well as prepositional phrases and introductory dependent clauses for variety): A PURPOSEFUL USE OF ALL of these.
Fresh figurative language and imagery--- all poems have these!
Rhythm: have evidence of assonance, consonance, alliteration, repetition, purposeful use of syllabication, maybe iambic pentameter
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Use these CORRECT online versions of the poems for you to use if you can’t carry the 8-pound literature book around this weekend:
“Stopping by Woods on a Snowy Evening” by Robert Frost
http://www.poetryfoundation.org/poem/171621
“Paul Revere’s Ride” by Henry Wadsworth Longfellow
http://www.poetryfoundation.org/poem/173903
“Mother to Son” by Langston Hughes
http://www.poetryfoundation.org/poem/177021
“O Captain! My Captain!” by Walt Whitman
http://www.poetryfoundation.org/poem/174742
“John Henry” (traditional)
http://www.poetryfoundation.org/poem/171628
“Speech to the Young; Speech to the Progress-Toward (Among them Nora and Henry III)” by Gwendolyn Brooks
http://www.poemhunter.com/poem/speech-to-the-young-speech-to-the-progress-towar/
“An Indian Summer Day on the Prairie” by Vachel Lindsay
http://www.poemhunter.com/poem/an-indian-summer-day-on-the-prairie/
http://www.poetryfoundation.org/poem/174354 William Shakespeare’s "Sonnet XVIII"
http://www.online-literature.com/byron/702/ Lord Byron’s “Lines Written on the Road Between Florence and Pisa”
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HOMEWORK: Read these poems found in your red literature textbook (or from the links provided)—read and analyze different ones nightly; use TP-CASTTAR; all are due by April 21 (TEST on April 21 over all poems to show your understanding of them)
- “Stopping by Woods on a Snowy Evening” by Robert Frost (607)
- “John Henry” (traditional) (296-9)
- “Paul Revere’s Ride” by Henry Wadsworth Longfellow (136-42)
- “Mother to Son” by Langston Hughes (636-7)
- “O Captain! My Captain!” by Walt Whitman (752-5)
- “Speech to the Young; Speech to the Progress-Toward (Among them Nora and Henry III)” by Gwendolyn Brooks (634 & 637)
- “An Indian Summer Day on the Prairie” by Vachel Lindsay (678)
- http://www.poetryfoundation.org/poem/174354 William Shakespeare’s "Sonnet XVIII"
- http://www.online-literature.com/byron/702/ Lord Byron’s “Stanzas Written on the Road Between Florence and Pisa”
Read and analyze ALL these poems by April 21. You will turn in your work to me on the 21st and will take a test over your knowledge of the poems. I would like this work to be typed, saved in your ELA Writing Portfolio, and submitted on Moodle before class time on April 21.
I INCLUDED AUTHOR PAGES AND INTRO PAGES FOR EACH POEM—READ THOSE TOO!
COPY and PASTE these titles/authors/poems into a Word Doc and save the doc as Poetry Analysis. That way you won't have to type the titles/authors yourselves.
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MC_SR questions from NIGHT -- that is the name of the Word doc file you need to save on your MDrive and in Moodle. See me about the directions on this assignment if you were absent on Friday!
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- WHEN YOU FINISH ALL OF THE TASKS LISTED on other evening's homework and completed the other steps we did in class on FRIDAY, March 21 the next step is this (DUE ON TUESDAY, MARCH 25): --
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- Decide which one of each of the 6 points coincide with each of the quotations that you have highlighted as the BEST ones on your research copies. These quotations are called the “appeals to authority” that you have highlighted in your articles.
- Put the number of each of your points (1-6) beside each of the quotations in the RIGHT-HAND margin beside each quotation. CIRCLE THE NUMBER you write for each.
- If a quotation doesn’t match any of your points, make it match by changing your point a bit or adding a point to your list of 6.
- Each quotation can only have ONE number beside it.
- If you realize an article isn’t what you really need to prove your 6 points, then find a new article from SIRS or Gale that really supports your point of view.
- Decide which order each of your quotations need to be in and which ones should be in each body paragraph. Label a body paragraph beside each of your quotations and points from your list of 6 on your Essay Plan Sheet. Label Par.1 beside the quotation that will need to be in Par. 1, and Par. 2 for one that needs to be in Par. 2, etc. Label those in the RIGHT-HAND margin beside the point number you have listed for each.
- MORE INSTRUCTIONS: Beside each of your highlighted quotations, you should have a number for the point with which it coincides (see the points you listed on page 1 of your Essay Plan Sheet) and also the abbreviation "par." for paragraph and a paragraph number for each of your highlighted points that you will label either paragraph 1, 2, 3, or 4.
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- Put an asterisk beside each quotation/line in the article that supports your opinion best in each article. Put the * in the left-hand margin. You may have marked 15+ quotations in a larger or medium article.
- Go back and reread all the quotations with * (asterisk) and determine the best 7 to 10 in each article – PUT A DOUBLE asterisk beside the single asterisk for the best 7 to 10 quotations in each or best 3 to 5 in a shorter article.
- THEN reread all those and decide on the BEST TWO or THREE in each article and HIGHLIGHT those. BE SURE they are the best. DO NOT BYPASS ANY OF THE ABOVE STEPS!!!!
- If you were absent on Friday, March 21, you need to meet with me about this assignment AND the high-stakes tests prep I taught about.
- Also if you were absent Friday or Monday, you need to see me in tutorial time about the information you missed concerning strategies for taking high-stakes select-response tests.
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- --- THE TASK of MARKING QUOTATIONS: Read each of the articles you selected and printed as credible sources for your persuasive essay.
- Put an asterisk beside each quotation/line in the article that supports your opinion best in each article. Put the * in the left-hand margin. You may have marked 15+ quotations in a larger or medium article. The number will vary article to article.
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- Put an asterisk beside each quotation/line in the article that supports your opinion best in each article. Put the * in the left-hand margin. You may have marked 15+ quotations in a larger or medium article.
- Go back and reread all the quotations with * (asterisk) and determine the best 7 to 10 in each article – PUT A DOUBLE asterisk beside the single asterisk for the best 7 to 10 quotations in each or best 3 to 5 in a shorter article.
- THEN reread all those and decide on the BEST TWO or THREE in each article and HIGHLIGHT those.
- BE SURE they are the best. DO NOT BYPASS ANY OF THE ABOVE STEPS!!!!
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For 4th and 5th Periods: Class Work for February 20-21, 2014
Writing a Symbolic Essay about Elie Wiesel’s Night
THURSDAY:
· The substitute will give each of you THREE Post-It Notes.
· Each student should mark THREE quotations from Night that best show that Wiesel uses the word “night” symbolically to represent the agony he has endured through his time during the Holocaust. ( “Agony” means extreme and generally prolonged pain; intense physical or mental suffering).
· Your quotations you select must be found only in the actual text of Night from pages 3-115 (NOT in the Preface, Foreward, or Nobel Prize speech).
· The quotations should be spread throughout the text of Night. For example, if you have a great quotation on page 30 that proves Wiesel’s agony, you can’t have the second one be on page 40; you would need the second one to be on at least page 78-85 and then the third one on pages 102-115.
· Put an asterisk (a star mark) by the line that contains your quotation for each of the three you choose.
· Let the Post-It Notes protrude from your page like a bookmark.
· REMEMBER Elie Wiesel’s Night is an autobiographical BOOK NOT a novel!!!!!
· Do not use the words “if, could, would, should, might,” or “without.”
· You all need to write your symbolic essay INDIVIDUALLY during class today and tomorrow. I told you how to write this when I modeled the TKAM thematic essay last semester and am writing instructions here with great detail.
· Write every other line and front side only. When you mark out a line you don’t need or want to change, put one thin line through it and write below it.
· First, use this exact topic sentence that will be your thesis statement for the whole essay; write this exact sentence on your own paper:
In Night by Elie Wiesel, his use of “night” in both the title and the text was symbolic of the agony that he endured during the Holocaust.
· NOTICE I indented for this thesis statement. Immediately after the last word “Holocaust,” and without indentation, write the new sentence that starts with “For example,” and write your signal phrase and first quotation verbatim (according to the order the quotations appear in the text). Don’t indent after writing the thesis sentence – you will be writing one long, meaty paragraph.
· Your second sentence (like I mentioned in the bullet point above this one) needs to begin with a transition phrase like, “For example” or “For instance” and must followed by a signal phrase that gives context information for the quotation you are then using to complete your sentence. Place a comma after the transition word before the signal phrase. THEN you need an exact quotation from the text, quoted verbatim, that you have marked previously with your Post-It Note.
· After that quotation (you need MLA documentation of parentheses and the page number in the parentheses and the period after the parentheses), write a sentence or two of commentary going beyond rephrasing the quotation--- dig deeply; be analytical; connect the quotation to larger ideas in the book concerning “night” and its symbolic meaning and according to your thesis statement concerning how the quotation relates to the “agony that Wiesel experienced and endured during the Holocaust.
· Do not repeat what the quotation says (that is NOT commentary) and do not just discuss the quotation according to the action that revolves around that particular quotation.
· Your second quotation needs to begin with a transition such as “In addition…” and then follow the directions from the 2 bullet points above.
· Your third quotation also needs to begin with a transition such as “Later in the book…” or “Close to the end of Wiesel’s book…” THEN follow the pattern listed above.
· Your ending sentence needs to restate your thesis (NOT in the exact same words) and then broaden out with other sentences that will show the essay is complete. Don’t make it sound like a new essay is beginning. Don’t just repeat exactly what you have said.
· You don’t have to follow this exactly – this is not formula writing. DO have a thesis sentence early in the essay and do end with a conclusion sentence. For the body of the essay include 3 quotations and make sure you have commentary about each one according to its relation to the book as a whole in conjunction with your thesis. Remember you are trying to prove your thesis statement.
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BUY Elie Wiesel’s Night in our Supply Room for $11 by Monday OR Tuesday and write your name AND my name in the inside front cover in INK—show me your book. You need the edition we are selling in the Supply Room, and the copy MUST be one that does not have other people's notes. You will be annotating your own book and must have a fresh copy. If you were absent on Friday, Jan. 24, you missed much information about the Holocaust. Meet with me Monday to determine when to do that work.
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REVISE your thematic narrative according to the revision notes/criteria on my analytic scale/rubric.
UPLOAD your FINAL DRAFT TONIGHT before midnight January 16on MOODLE.
PRINT my RUBRIC and BRING a COPY TO CLASS January 17.
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Complete a self-evaluation of your narrative on a hard copy of my analytic scale that you print from my webpage. Give that to me. THEN go to Moodle and pull up your final draft of your thematic personal narrative. Do these activities written below to analyze your draft and to show you have each of these listed below and previously listed in your analytic scale for the final draft. Re-save your new draft in your M-drive and then submit it on Moodle in the new category for this draft. To highlight on your draft, use the highlighting tool on your tool bar; many colors are available. We did this work in class on Friday.
Highlight each of these aspects in a different color:
- · Vocabulary roots
- · Other vocabulary words
- · Figurative language
- · Conjunctive adverb in a sentence with proper punctuation
- · Introductory clauses and phrases and proper punctuation (3 of these)
- · Nominative case pronouns (3 of these) (I, we, he, she, they)
- · Objective case pronouns (3 of these) (me, us, him, her, them)
- · Allusion or references
- · Archetypes
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HOMEWORK (even if absent for field trip—must do!): SEE the rubric I posted on my webpage, print a copy, work through all those aspects of the rubric for revision. The final draft is due Friday.
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REVISE your thematic narrative according to the revision notes/criteria on my analytic scale/rubric.
UPLOAD your FINAL DRAFT TONIGHT before midnight January 16on MOODLE.
PRINT my RUBRIC and BRING a COPY TO CLASS January 17.
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REVISE sentence beginnings for 8 sentences that have commonbeginnings and add 3 examples of fresh figurative language. Please see the analytic scale/rubric that I have provided to see other ideas for revision as well. This rubric will be used for the final draft of the narrative.
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HIGHLIGHT all “be verbs” (am, is, are, was, were, be, being, been) in your thematic personal narrative. Then revise the sentences that are the weakest because of the "be verbs." You should revise for a minimum of 30 minutes this evening. Today in class (1/13) we worked on the introduction paragraph and the format of the whole narrative, and I checked all essays for completion and form/format. Please come for tutorial time if you were absent.
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Take a TEST on Dec. 11 in class over literary terms using song lyrics and TKAM to see examples. Each student must have his or her own copy of TKAM. We will review for this test on Tuesday the 10th. Also notice the other note on my webpage concerning upcoming due dates, tutorial times, exams, etc.
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You will need to have read ALL of TKAM by tonight. Also tomorrow you will give me your R/W HW for the past 11 chapters of TKAM. We didn't write entries for several of the past chapters because we annotated our books instead on certain evenings. You should have written each night about chapters 21-31. DUE TOMORROW!
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We will do prewriting for an upcoming essay and will also find examples of all literary terms listed on our chart in the back of TKAM. The examples we find we will mark on pages of TKAM beside each of the lines that are examples of those quotations.
For HOMEWORK, read chapter 29 of TKAM and write about it in your comp book.
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We discussed the various human rights we see violated in TKAM, and students wrote all the right numbers by the quotations on each of the pages in TKAM that were examples of each.
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Copy and paste this link into your browser and take this survey for technology planning team please.
https://docs.google.com/forms/d/1rYTF73rPUK8hWK8RhnVEcqywHby3ev2iMYE0b7Mjhzs/viewform
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Also tonight students need to read and write about TKAM chapter 26.
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(Each student needs to have his or her 3 quotations marked that were marked on the 11th with Post-it Notes -- see Friday the 11th handout with instructions).